Copyright and Related Rights

Objectives of the Department of Copyright and Related Rights

 

Functions

 

To guarantee legal security to authors, holders of related rights and patrimonial rights and their successors; as well as to give adequate publicity to works, acts and documents through their registration when requested by the holders.

 

Applicable Legislation

 

Copyright and Related Rights

 

  • The Copyright and Related Rights Law, Decree 33-08 of the Congress of the Republic, came into force on June 22, 1998, and Decree 56-2000, which contains its reforms, came into force on November 1, 2000.
  • Government Agreement No. 233-2003, Regulations of the Law of Copyright and Related Rights and its respective Tariff in force since May 29, 2003, published in the Official Gazette of CA, on April 30, 2003.

 

WHAT IS COPYRIGHT?

 

COPYRIGHT: SUBJECT, OBJECT AND CONTENT

 

In accordance with the Copyright and Related Rights Law and its Regulations:

 

 

SUBJECT:

 

  • The author is the natural person who carries out the intellectual creation. Only natural persons can be authors of a work; however, The state, public law entities and legal persons may be holders of rights provided for in the law, considering the author of a work, unless proven otherwise, to be the natural person whose name or known pseudonym is indicated in it, or is announced in the declamation, execution, representation, interpretation or any other form of public dissemination of said work. (Art. 5 of the Law of Copyright and Related Rights).

 

  • Regarding the Works created in collaboration belong to all co-authors, pro indiviso, unless otherwise agreed or the ownership of each of them is demonstrated, in which case each collaborator is the owner of the rights over the part of which he is the author. (Art. 7 of the Law).

 

  • In the audiovisual work It is presumed, unless proven otherwise, that the economic rights to the work have been assigned to the producer of the same. (Art. 27 of the Law).

 

  • In the case of the collective works, It is presumed, unless otherwise agreed, that the authors have assigned unlimited and exclusive ownership of the economic rights to the natural or legal person that they publish them under their own name, who is also entitled to exercise moral rights over the work. (Art. 9 of the Law).

 

  • In the works created for a natural or legal person, custom made, In the performance of an employment relationship or in the exercise of a public function, the original holder of the moral and economic rights is the natural person who created the work or participated in its creation. However, unless otherwise agreed, it is presumed that the economic rights to the work have been assigned to [the other party]. who commissions it or the employer, as the case may be. (Art. 10 of the Law).

 

  • In relation to the computer programs It is presumed, unless otherwise agreed, that the author(s) of the work have assigned their economic rights to the producer, in an unlimited and exclusive manner, which implies the authorization to disclose the work and to exercise the defense of moral rights to the extent necessary for the exploitation of the computer program, it being presumed, unless proven otherwise, that it is producer of the program The computer is the natural or legal person indicated as such in the same. (Art. 11 of the Law).

 

  • In the derivative works is author who with the authorization of the holder, makes the adaptation, translation or transformation of the original work, the name or pseudonym of the original author must appear. (Art. 12 of the Law).

 

 

OBJECT:

The WORKS. All works are considered productions in the literary, scientific and artistic fields, whatever the mode or form of expression, provided they constitute an original intellectual creation:

  • Those expressed in writing, by means of letters, signs or conventional marks, including computer programs.
  • Lectures, speeches, sermons, and other works expressed orally.
  • Musical compositions, with or without lyrics.
  • Dramatic and dramatic-musical ones.
  • Choreographic works and pantomimes.
  • The audiovisuals.
  • Fine arts such as drawings, paintings, sculpture, engravings and lithographs
  • The architectural ones.
  • Photographs and those expressed by a process analogous to photography.
  • Those of applied art.
  • Illustrations, maps, sketches, plans, outlines and plastic works relating to geography, topography, architecture or sciences, this list being illustrative and not exhaustive, therefore both known works and those that may be created in the future enjoy the protection of the law.

Also considered works, without prejudice to the copyright of the original work, if applicable:

  • Translations, adaptations, musical arrangements and other transformations of a work.
  • Anthologies, dictionaries, compilations, databases and similar works, when the selection or arrangement of the materials constitutes an original reaction. (Art. 15 of the Law).

 

 

CONTENT:

Understand the Moral Rights and the Property Rights, which protect paternity, integrity and the exploitation of the work.

 

MORAL RIGHT:

The author is inalienable, imprescriptible and non-waivable, This includes the rights to: claim authorship of the work at any time, and in particular to demand that their name or pseudonym be mentioned as the author in all reproductions and uses thereof; oppose any distortion, mutilation, or other modification of the work without their prior and express consent, or any modification or use of the work that diminishes its value or harms their honor or reputation as the author; keep their work unpublished or anonymous, or stipulate in their will that it remain so after their death. The postponement of publication of the work may only be for up to seventy-five years after death. (Art. 19 of the Law)

 

PROPERTY OR PECUNIARY LAW:

It grants the copyright holder the rights to use the work directly and personally, to assign all or part of their rights to it, and to to authorize or prohibit its use and exploitation by third parties.

Only the copyright holder or those expressly authorized by them shall have the right to use the work in any manner, form or by any means. (Art. 21 of the Law)

 

PROTECTION PERIOD:

Property rights are protected throughout the author's lifetime and seventy-five years after his death And when it comes to works created by two or more authors, the term will begin to run after the death of the last surviving co-author. Related rights also enjoy the same term of protection. (Art. 43 of the Law).

 

RELATED RIGHTS

These are the rights that have been incorporated into copyright law; they constitute the rights that, through public communication, the artists, performers or interpreters, phonogram producers and the broadcasting organizations, The protection afforded to artists, performers, phonogram producers, and broadcasting organizations does not affect in any way the copyright protection established by law. (Art. 50 of the Law)

See More Legislation »

Instructions

Requirements for Registration of Works

The protection afforded by law is granted to works from the moment of their creation, regardless of merit, purpose or mode of expression, but for their registration and deposit to proceed, it is required that they have been fixed on a material support. (Art. 108 and 39 of the Regulations). 

  1. The inscription can be from a work unpublished or published as a title of natural or legal person.

 

  1. The forms that are available through the Electronic Window of the Intellectual Property Registry – VERPI-  They are as follows:

 

  • LITERARY WORKS
  • COMPUTER PROGRAM AND DATABASE
  • PHONOGRAMS
  • LEGAL REPRESENTATIVE
  • BOARD MEMBERS
  • AUDIOVISUAL WORKS
  • ARTISTIC WORKS
  • MUSICAL WORKS
  • CONTRACTS AND OTHER ACTS

 

The forms must be completed with the required information. (Art. 3, 33 and 40 of the Regulations of the Law on Copyright and Related Rights).

 

  1. Attach to the application registration form the Notarial Deed that documents the Sworn declaration. (Art. 106 of the Law on Copyright and Related Rights).

 

  1. Introduce to the Registry in a legal-size folder with a hook: the completed form (3 copies), the Notarial deed, which documents the sworn statement (original and 1 copy). (Art. 7 of the Regulations) and the receipts for payment of the fees corresponding (application and title submission). (Art. 108 of the Law, 9, 89, 90 and 91 of the Regulations)

 

  1. To accompany a copy or medium of the work duly identified.

 

The protection afforded by law is granted to works from the moment of their creation, regardless of merit, purpose or mode of expression, but for their registration and deposit to proceed, it is required that they have been fixed on a material support. (Art. 108 and 39 of the Regulations).

 

  1. If the registration request is made by a entity or company, In addition to the above, you must also attach the minutes that accredits him as legal representative of the same. The document that contains the assignment of rights. (Art. 47. of the Regulations).

 

  1. Chapter VI. Individual Registrations. Other requirements are established, which must be considered by the applicant according to the protection required before the Intellectual Property Registry. (Articles 39 to 50 of the Regulations).

Procedure for the Registration of Works and Other Acts

Step 1

Form Selection – VERPI

  • Log in or create a user account VERPI »
  • Access the form according to the type of work to be registered in the top menu under Copyright and Related Rights
  • Fill out the form, sign it on behalf of the applicant, and submit three (3) copies to the RPI.

 

 

Step II
Payment Slip Generation – E-Payments RPI

 

  • Log in with your username E-PAYMENTS »
  • Click on the Copyright button
  • Select the payment option.
  • Select the option form, type of work and applicant's name.
  • Print the payment slip
  • Make your payment online through your BANRURAL online banking or at any agency BANRURAL.

 

Step III
Application Submission

 

Physical presentation:

  • In a legal-size folder with a fastener: the form complete (3 copies), the sworn declaration  (original and 1 copy) and the receipts of pay of the corresponding fees.
  • To accompany a copy or medium of the work duly identified.

Collective Management

PROCEDURE FOR GRANTING OPERATING AUTHORIZATION TO COLLECTIVE MANAGEMENT SOCIETIES FOR COPYRIGHT AND RELATED RIGHTS

 

  • 1. APPLICATION
    • 1. Submission of the respective application by him or the legal representatives of the Association.
    • 2. Attach the original and a certified copy of the notarial deed of appointment.
    • 3. Attach the first testimony of the writing constitutive articles of the non-profit civil association
    • 4. Attach certification issued by the Civil Registry in which the legal personality of the non-profit civil association.
    • 5. Certified copy of your statutes.
    • 6. List of associates, holders of copyright or related rights, providing the details of their personal identification document and indicating the category or categories of right with respect to which it is associated.

 

  • 2. REQUIREMENTS ACCORDING TO ARTICLE 113 BIS OF THE COPYRIGHT AND RELATED RIGHTS LAW
    • a) That the association has been established and obtained legal personality in accordance with the provisions of Article 113 of this law;
    • b) That it has the human, technical, financial and material resources basic for the fulfillment of its purposes;
    • c) That the association proves that it is comprised mostly of Guatemalan members of origin or foreigners domiciled in Guatemala, hold rights to the same type of works or productions;
    • d) That it recognize to the members of the association a right of participation appropriate in the entity's decisions;
    • e) That in the distribution rules, once the administrative expenses have been deducted up to the maximum percentage provided for in the statutes, and which in any case may not exceed thirty percent, guarantee an equitable distribution among the rights holders, in proportion to the actual use of the works, interpretations or artistic or phonographic performances, as the case may be;
    • f) That it has, at a minimum, regulations for members, tariffs and distribution;
    • g) That demonstrate the effectiveness of the management abroad or from the foreign repertoire within the national territory, through mechanisms that ensure the execution of reciprocal representation agreements with associations or companies with the same objectives operating abroad. The Intellectual Property Registry will make the relevant assessment; and
    • h) Any other information that in the opinion of the Intellectual Property Registry is necessary.

 

  • 3. APPLICATION PROCESSING
    • a) Once the application has been submitted, The Registry must proceed within a period not exceeding 30 days following to analyze the documentation submitted to verify that it complies with the provisions of the law and these regulations;
    • b) Once the above deadline has expired, The Registry may accept the application, reject it if applicable, or good prevent to the applicant to make the modifications or amendments that may be pertinent, both in the application and in its statutes, which will be detailed in the resolution itself;
    • c) If the application indicates the omission of requirements If the deficiencies are correctable, the applicant will be advised to... no more than fifteen days proceed to to correct omissions or deficiencies detected. In the event that the latter refer to the statutes of the association, a period of six months will be granted for the same purpose;
    • d) If the aforementioned deadlines have passed without compliance with the requirements of the Registry, the application will be considered abandoned and its filing will be ordered by means of a simple reason recorded in the file.

 

  • 4. PUBLICATION
    • a) Once an application for authorization regarding a collective management society has been admitted for processing, the Registry shall order that, at the expense of the applicant entity, an edict be published in the Official Gazette and in another of the most widely circulated national newspapers;
    • b) The edict shall contain the name of the applicant entity, its address, the status of the persons it associates, the rights it intends to manage, the file number and the indication that it is available for consultation by any interested person.
    • c) Within two months following the date of the last publication of the edict, the applicant entity must submit to the Registry the relevant part of the copies of the newspapers in which it was published;
    • d) Failure to comply with this provision will result in the application being considered abandoned.

 

  • 5. OBSERVATIONS
    • a) Within two months following the date of publication of the edict referred to in the previous article, any person may submit written observations to the Registry regarding the application for authorization to operate;
    • b) Of the observations received, the Registry will notify the applicant entity so that within the following month it may comment on them and submit the information or documents it deems pertinent;
    • c) The submission of observations will not suspend the processing of the application nor will the person making them become a party to the procedure.

 

  • 6. AUTHORIZATION
    • a) Once the procedure established in the previous articles has been exhausted, the Registry must resolve the authorization request in a reasoned manner within the following sixty business days, either granting or denying it;
    • b) If the resolution is favorable to the application, the Registry will order that, upon payment of the fee established in the Fee Schedule, the applicant entity be registered as a collective management society and the registration certificate accrediting it as such be issued. It will also order the registration of its legal representative and the members of its administrative and supervisory body.

 

  • 7. REGISTRATION
    • Registration requirements. The registration of the operating authorization of a collective management society must contain:
    • a) The name of the entity;
    • b) The data relating to its constitution as an association and the obtaining of its legal personality;
    • c) The object or purposes, indicating the category of rights that it will administer;
    • d) The bodies of the entity;
    • e) Address where its main headquarters are located;
    • f) Date of the authorization resolution and file identification;
    • g) Place, date and signature of the Registrar or whoever acts in his stead.

 

  • 8. EFFECTS
    • Collective management societies, once they obtain authorization to operate as such, will be entitled to exercise all their rights and act in accordance with their statutes with regard to management.

SECTIONS

 

REGISTRATION OF WORKS AND OTHER ACTS

Enma Yadira Lemus Sandoval

ylemus@rpi.gob.gt

 

COLLECTIVE MANAGEMENT

Silvia Leticia García Hernández

sgarcia@rpi.gob.gt

 

DEPARTMENT ASSISTANT

Enma Yadira Lemus Sandoval

ylemus@rpi.gob.gt

COPYRIGHT SITES OF INTEREST

 

Copyright and Related Rights Offices

 

National Copyright Center /Cuba/  www.cenda.cu

National Registry Center /El Salvador/  www.cnr.gob.sv

National Registry Council /Uruguay/ www.mec.gub.uy

National Copyright Directorate /Colombia/ www.derautor.gov.co

National Copyright Directorate /Venezuela/ www.sapi.gov.ve

National Institute for the Defense of Competition
and the Protection of Intellectual Property /Peru/ www.indecopi.gob.pe

National Institute of Copyright /Mexico/ www.sep.gob.mx

Ministry of Culture /Spain/ www.mcu.es

United States Copyright Office /USA/ www.copyright.gov/espanol

 

Other Organizations

International Confederation of Societies of Authors and Composers  www.cisac.org

Regional Center for the Promotion of Books in Latin America and the Caribbean www.cerlalc.org

Representing The Recording Industry Worldwide www.ifpi.org

 

Other Places of Interest

Publishers' Guild www.editoresguatemala.org

Ibero-American Federation of Artists, Performers or Interpreters www.filai.com

Society of Artists, Performers or Interpreters of Spain www.aie.es